‘Der Sturm,’ cover of Volume 8, Issue 7 (October 1917) (all screen shots from ‘Der Sturm’ via the Blue Mountain Project) Der Sturm, the title of the arts magazine that served as the mouthpiece for ...
The works that best exemplify a uniquely German grotesque in Reexamining the Grotesque are those that reflect the war and Weimar years. With Franz Marc and August Macke: 1909-1914, the Neue Galerie ...
The exhibition informs an examination of the relationship between arts movements of the interwar period in Weimar Germany and early cinema. The exhibition informs an examination of the relationship ...
For those of us who consider themselves familiar with German Expressionism, the compelling new exhibition at New York University’s Grey Art Gallery, “Fritz Ascher: Expressionist,” makes us wonder why ...
Some results have been hidden because they may be inaccessible to you
Show inaccessible results