For this reason, as much as any intrinsic merit, Rachel Whiteread’s "apocalyptic sheds" as our critic Markie Robson-Scott called them, opened with a sense of occasion. Central London was still only a ...

Really what I’m trying to make is an invitation—something that has a sense of the style and atmosphere, and maybe a little mystery. Over the last year the School of Visual Arts has adjusted and ...

Thriving in the uncertainty of leaping from place to place requires a good measure of agility, organization and personal courage. It’s a stance that appeals to curator, artist and writer Storm Ascher ...